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Charts: The Billboard USA Top 100 Albums / Europe Albums Top 10

The Billboard USA Top 100 Albums
1. Paramore - Paramore
2. Brad Paisley - Wheelhouse
3. Justin Timberlake - The 20/20 Experience
4. Blake Shelton - Based On A True Story ...
5. Eric Church - Caught In The Act: Live
6. The Band Perry - Pioneer
7. Tyga - Hotel California
8. Lil Wayne - I Am Not A Human Being II
9. Volbeat - Outlaw Gentlemen & Shady Ladies
10. Stone Sour - House Of Gold & Bones Part 2

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Europe Albums Top 10
1. Pink - Just Give Me A Reason
2. Duke Dumont - Need U 100%
3. Justin Timberlake - Mirrors
4. Macklemore And Ryan Lewis Featuring Wanz - Thrift Shop
5. Pitbull Featuring Christina Aguilera - Feel This Moment
6. Bruno Mars - When I Was Your Man
7. Bastille - Pompeii
8. The Saturdays - What About Us
9. Nelly - Hey Porsche
10. Lumineers - Ho Hey

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World   |   Russia   |   USA   |   UK   |   Europe   |   Canada   |   Ireland   |   Germany   |   Austria   |   Spain   |   France   |   Italy   |   Switzerland   |   Sweden   |   Finland   |   Norway   |   Netherlands   |   Czechia   |   Australia   |   New Zealand   |   Argentina

\"Lucky  Attention! Bonus!
Every hour, at a randomly selected time, one of our authorized users, that is actively surfing our website, will receive a bonus in the amount of $1.
That lucky user can be you at any given moment!
 
 Now Active Albums
Camera Obscura - Biggest Bluest Hi-FiKalmah - Palo (Japanese Edition)Swallow The Sun - Songs From The North Part IIIIndochine - Paradize +10 (CD 1)Soundtrack - Movies - A Star Is BornSkold - Anomie (Deluxe Edition)Type O Negative - Bloody Kisses (Reissue 2009, CD 1)VNV Nation - NoireColeman, Ornette - Town Hall December 1962Stargazer's Assistant - Remoteness Of Light

07.11.2018  Triptykon: Roadburn 2019 To Collaborate In The Completion Of Celtic Frost's Unfinished "Requiem"!

   Tom Gabriel Warrior: In autumn of 1986, when I was 22 years old, I began writing what would become the first part of an intended three-part Requiem (missa pro defunctis; i.e., mass for the dead). The finished piece was released on Celtic Frost's Into The Pandemonium album, in June of 1987, bearing the title Rex Irae.

As we were rehearsing and recording the first part of the Requiem, we couldn't have foreseen that exactly such non-traditional, experimental work would lead to significant differences of opinion between the group and the label who had signed us at the time. We were still an underground band and at a pronounced disadvantage, as our industry power and resources were very limited.

We had initially intended to finish the two missing parts of the Requiem after touring the album, and to release all three sections of the Requiem on a dedicated EP as early as 1988. The aforementioned conflict with the label spiralled out of control, however, leading to the termination of the original group at the end of 1987.

When Martin Eric Ain and me resurrected Celtic Frost in 2001, finishing the Requiem was among the earliest topics discussed. In 2002, at age 38 and sixteen years after I first worked on the initial part, I began writing the third part on the basis of demos I had recorded in 2001. The finished third part was released on Celtic Frost's Monotheist album in 2006, under the title of Winter.

What was left now was to complete the missing second part of the composition. I had quite a detailed idea in my mind of what it would entail musically, but there was no hurry attached to it; we had reformed Celtic Frost to record far more than just one album. Alas, perhaps predictably Celtic Frost disintegrated again after a few years, and the Requiem was left unfinished once more.

Nonetheless, the intention to finish the full Requiem remained with me. I was going to do it one distant day with Triptykon, the group I formed to continue to pursue the path I began in Hellhammer and Celtic Frost. It was 2018, yet again 16 years after I last worked on the Requiem, when Walter Hoeijmakers, founder of the legendary Roadburn Festival and one of my most beloved friends, contacted me to propose Roadburn as the venue to perform, at long last, the finished Requiem.

Walter and his team very kindly provided for the resources necessary for such a substantial undertaking, and so, at 54 by now, I found myself commencing work on the second and thus final part of the Requiem this year.

The three parts of the Requiem will therefore be performed by Triptykon at Roadburn 2019, with full classical orchestration, congregated specifically for this occasion by Florian Magnus Maier, who is our esteemed classical collaborator and arranger in this project, and whose patience with me appears to be limitless. We feel very proud and deeply honoured to be joined in this endeavour by the renowned Dutch Metropole Orkest.

Moreover, this project has been made possible due to the generous support of the City of Tilburg and Brabant C.

Celtic Frost/Triptykon, Requiem, as performed exclusively at Roadburn 2019:

Rex Irae (Requiem, Chapter One: Overture - Fourth Incarnation)
Grave Eternal (Requiem, Chapter Two: Transition)
Winter (Requiem, Chapter Three: Finale - Ninth Incarnation)
Here is a list of upcoming live dates for Triptykon:

02.12.2018 Los Angeles (USA) - Decibel Metal & Beer Festival
07.12.2018 Madrid (Spain) - Madrid Is The Dark Festival
15.12.2018 Eindhoven (The Netherlands) - Eindhoven Metal Meeting
12.04.2019 Tilburg (The Netherlands) - Roadburn Festival
21.04.2019 München (Germany) - Dark Easter Metal Meeting

More shows to be announced soon…

Check out the video clips created for Triptykon's latest album“Melana Chasmata” below:

“Tree Of Suffocating Souls”
“Aurorae”
Source: CenturyMedia

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